Head Curator Ursula Grisham interviews US filmmaker Jordan Abrams for the 2020 edition of Filmatique Talents.
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Guest Curator Ritika Biswas interviews Indian filmmaker Prantik Narayan Basu for the 2020 edition of Filmatique Talents.
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Head Curator Ursula Grisham interviews Nepalese filmmaker Manoj Babu Panta for the 2020 edition of Filmatique Talents.
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Head Curator Ursula Grisham interviews Turkish filmmaker Deniz Telek for the 2020 edition of Filmatique Talents.
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Head Curator Ursula Grisham interviews Mexican filmmaker Jorge Granados Ross for the 2020 edition of Filmatique Talents.
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Head Curator Ursula Grisham interviews Colombian-American filmmaker Kevin Contento for the 2020 edition of Filmatique Talents.
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Head Curator Ursula Grisham interviews Colombian filmmaker Victoria Rivera for the 2020 edition of Filmatique Talents.
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A spotlight on first and second features from emerging filmmakers across the globe.
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Head Curator Ursula Grisham interviews Indian filmmaker Varun Sasindran for the 2020 edition of Filmatique Talents.
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In an exclusive interview for Filmatique, Pierre-François Sauter discusses the melancholy feeling of emigration, making a film about death that simultaneously celebrates life, and filming life in the most truthful way possible.
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Head Curator Ursula Grisham interviews Swiss filmmaker Fisnik Maxhuni for the 2020 edition of Filmatique Talents.
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Head Curator Ursula Grisham interviews Austrian filmmaking duo Leonhard Mullner and Robin Klengel Neumann for the 2020 edition of Filmatique Talents.
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Head Curator Ursula Grisham interviews American filmmaker Nick Singer for the 2020 edition of Filmatique Talents.
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In an exclusive interview with Filmatique, Reygadas discusses cinema as an art of presence, the natural feeling of eternity in youth, cinematic time as a mode of encountering the peripheral, and the virtue of filmmaking as a hermeneutic endeavor.
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In an exclusive essay for Filmatique, Head Curator Ursula Grisham examines Pablo Larraín's Post Mortem and Carlos Reygadas's Battle in Heaven through the prism of slow violence, an emergent category of cinema.
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In an exclusive essay for Filmatique, Dr. Paula Halperin explores legacies of political violence and neoliberalism in Pablo Larraín's Tony Manero and Post Mortem.
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A showcase of early works from two Latin American masters—Mexican auteur Carlos Reygadas and Chilean social satirist Pablo Larraín.
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In an exclusive essay for Filmatique, Head Curator Ursula Grisham assesses the relevance of Adina Pintilie's Touch Me Not amid the current global pandemic, insofar as the film advances a tool unexpectedly appropriate to the moment—touch as a reminder, a mode of relation to our imperfect, precarious, corporeal selves.
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In an exclusive interview with Filmatique, Gabriel Mascaro discusses wind, cinematic impossibility, the indeterminate status of reality and fiction, corporeal ambivalence, and his next projects.
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A collection of works by directors working in the vanguard of documentary filmmaking.
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