In an exclusive interview with Filmatique, Annemarie Jacir discusses transforming anger into hope, the illogicality of borders, an aversion to sensationalized violence, and her next projects.
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A collection of films from some of the most exciting voices in contemporary Brazilian cinema.
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In an exclusive essay for Filmatique, Dr. Paula Halperin examines a promising new generation of filmmakers whose work collectively probes legacies of class inequality, racism, and mourning in contemporary Brazil.
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Matias Mariani's Cidade Pássaro (Shine Your Eyes), Kelly Reichardt's First Cow, and Eliza Hittman's Never Rarely Sometimes Always number among Filmatique’s Top Films of the 2020 Berlin International Film Festival.
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In an exclusive interview with Filmatique, Chaitanya Tamhane discusses research subjects spanning from human rights activists to Dalit poets, casting ordinary people, authoritarianism in India, and his upcoming second feature, The Disciple.
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In an exclusive interview with Filmatique, Sergey Dvortsevoy discusses snakes, the heat of the steppe, documentary-style attention to natural detail, and his next project.
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Coinciding with the 92nd Academy Awards, Filmatique presents Foreign Language Oscar Submissions III, a collection of films from Palestine, India, Morocco, and Kazakhstan—nations that have rarely, if ever, been nominated for the award.
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In an exclusive essay for Filmatique, Guest Curator Aldo Kempen explores the correspondence between the spectator and the camera as embodied presence in Sebastian Schipper's tour-de-force fourth feature, Victoria.
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In an exclusive essay for Filmatique, Guest Curator Ritika Biswas explores the deceptive politics of Court, a film that undermines political binaries, the pursuit of objectivity, and passive spectatorship in a post-truth age.
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In an exclusive essay for Filmatique, Guest Curator Ritika Biswas traces invisible vectors of inter-European migrations and linguistic markers of entitlement and power in Ulrich Seidl's Import/Export.
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Filmatique’s Teutonic Cinema is a collection of formally daring films from contemporary directors working in Germany and Austria.
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In turbulent times, we believe that art can serve as a balm for the soul, a point of contact into worlds unseen. Discover Filmatique's Top Films of 2019.
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In an exclusive essay for Filmatique, Guest Curator Jacob Browne assesses Hard to be a God as a film that scrutinizes just how impossible it can be to see with any clarity, to maintain the neutrality of the observer, and to watch without being either transformed or petrified.
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Filmatique presents Russian Auteurs, a collection of master works of contemporary Russian cinema.
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In an exclusive essay for Filmatique, Guest Curator Aldo Kempen examines Anna Muylaert's Don't Call Me Son as deconstructing a historically contingent conception of adolescence, situating coming-of-age culturally and geographically, and spotlighting a queer(ing) fluidity.
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In an exclusive essay for Filmatique, Guest Curator Marisa Winckowski explores the undercurrents of affection and angst that govern Xavier Dolan's precocious debut film.
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In an exclusive essay for Filmatique, Guest Curator Ritika Biswas evaluates Neon Bull as a hybrid queer, political, and social performance that eschews the eco-utopian, portraying non-/human worlds as uneasy assemblages.
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Filmatique presents Queer Cinema, a collection of contemporary films that challenge norms of gender, sexuality, and desire through alternative modes of cinematic representation.
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In an exclusive interview for Filmatique, Luigi Campi discusses Youtube inspirations, materiality, kismet on set, and his next projects.
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